ALCANTARA

Solitaire

16,99 € * inkl. MwSt. zzgl. Versandkosten
  • 30897
  • ALCANTARA
  • CD
  • PROGRESSIVE
  • 03.07.2020
Selten lässt eine Band und ihr Debüt-Album so offensichtlich ihre großen Vorbilder erkennen wie... mehr

Selten lässt eine Band und ihr Debüt-Album so offensichtlich ihre großen Vorbilder erkennen wie „Solitaire“ des italienischen Prog-Quintetts ALCANTARA!


Auf „Solitaire“ vereinen sich die Klangwelten von PINK FLOYD zu „The Wall“-, „Final Cut“- und „A Momentary Lapse Of Reason“-Zeiten mit den solistischen ROGER WATERS-Ausflügen auf „The Pros And Cons Of Hitch Hiking“ und „Amused To Death“ sowie in den traurigen Momenten ein paar SYD BARRETT-Erinnerungen. Doch nicht nur musikalisch halten ALCANTARA einen waters-floydianischen Kurs, sondern auch bei den Texten und dem Konzept von „Solitaire“, in denen es um den gelebten Widerstand gegen das immer mehr kollabierende System und die dafür verantwortliche Lobby-Politiker-Kaste geht: „They fuck you up when you're a child / They fill you up until you smile / They've put a treasure in a goddess in the sky […] We are the resistance“ („Faith“).


Und um es von vornherein klarzustellen – wer ein Problem damit hat, dass es Bands gibt, die ihren Vorbildern nacheifern, in ihrer eigenen Musik versuchen, genau deren Atmosphäre sowie Tiefe und sogar Botschaften zu verbreiten, mit ähnlichen Sounds und Klang-Collagen arbeiten, der wird wohl mit „Solitaire“ nicht glücklich werden und nase- sowie ohr-rümpfend immer wieder seinen hirnverankerten Vergleichskatalog aufschlagen. Soll er doch! Und soll er die Finger von ALCANTARA lassen.


Wer aber PINK FLOYD der letzten Waters- und ersten Nach-Waters-Ära sowie ROGER WATERS mitunter apokalyptisch veranlagten Solo-Werke, deren oft finstere Stimmung und die tragischen Texte mag, für den wird „Solitaire“ eine unglaubliche Bereicherung in seiner Plattensammlung sein. Ein Album, das er sicher immer mal wieder hervorholen wird, wenn er nicht ewig die gleichen Floyd-Werke wieder und wieder hören will, sondern Lust auf Neues hat, das nach Altem klingt, aber eben nichts Altes ist.

In diesem Falle ist aus FAZIT-Sicht „Solitaire“ von ALCANTARA mit seinen psychedelischen Schüben, traumhaften Melodien, bedrückenden Stimmungen und floydianischen Riffs sowie dem großartigen Sänger Sergio Manfredi, der manchmal auch ein zartes Tim-Bowness-Gefühl über seine Stimmbänder verbreitet, ein absoluter Volltreffer. (Thoralf Koß/musikreviews.de - 12/15)




Alcantara are based in Catania (Sicily). Their music is a mixture of the progressive, the psychedelic, the spacey and the bluesy. Think classic-era Pink Floyd - Dark Side of the Moon/The Wall with a touch of Syd. Their gorgeous ballads are wrapped in majestic melodies, but there is a message - join the resistance - fight against the decline of the political and societal classes!  




A five piece band from Sicily carrying on the legacy of classic-era Pink Floyd – progressive rock, psychedelic rock, space rock – songs that are dream-like and wrapped in majestic melodies. However, these guys offer more than just music as there is a strong message writ large across the 8 tracks of their debut album. Solitaire decries the decline of the societal and political classes and urges the people to resist this. A pertinent message perhaps amidst the strangeness of the 2020 global pandemic? If you want to hear what the band have to say, then, pick a card at Solitaire.



This is the debut album from Alc‘ntara, who are based in Sicily‘s second largest city, Catania. Sicily may not be a hotbed of progressive rock, but of course Italy has always been a major market. However, this is not RPI in any sense at all, but rather a far more modern take. According to the band, ‘Solitaire‘ is a concept album exploring the meaning of resistance in liquid modern times and is a journey through space rock, progressive ballads and psychedelic blues. All lyrics are in English, and while all three of the above genres are well represented, often at the same time, there is also a feeling of indie rock, Muse and Jadis about the proceedings as well.

It is an incredibly atmospheric album, and the vocals fit perfectly with the music, which for the vast majority of the time is very laid back indeed. When listening to individual songs one finds this incredibly impressive and fascinating, as the reverb and textures really bring the listener in closer. However, when it is like this for pretty much the whole album it does tend to lose the effect and instead becomes something where the sum of the parts is certainly less than the individual. There just isn‘t enough contrast within the album, and whereas some metal bands suffer by being too loud all the time, the opposite is true here. Without the use of contrast and dynamics it becomes a chore to listen to as opposed to a joy, which is a real shame as the individual songs are all very good indeed. By the time I came around to listen to this for the third or fourth time I knew what to expect, and wasn‘t really looking forward to the experience, as I knew by the end I would be seeking out something quite different as a musical earwash.

But, I am also aware there will be plenty who want to listen to music which is never New Age or Ambient, and is always ‘proper‘ songs, yet is incredibly laid back even though the electric guitar is an incredibly important instrument throughout. This is definitely a band to keep an eye on as they are showing great promise, but need to provide more emphasis in places.

review: Kev Rowland / progarchives.com

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